[9][Study for painting #1 (4) 2021]Perhaps the best way to reflect about Sanin’s work is to consider the method of production in her later period. [4] Ana María Reyes’ “Fanny Sanín and the pursuits of spiritual harmony” in Fanny Sanin: Geometric Equations. Page 38[9] Frank wrote the essay “Fanny Sanin’s Audacious Refinement” in which he defends her use of symmetry. '” (Fanny Sanin. [14] Jillian Steinhauer, “The mesmerizing, hard-edge paintings of Fanny Sanin.” The New Yorker, June 27, 2025Fernando Castro es artista, crítico y curador.