So what interests me about Ruskin’s Fors Clavigera? But there is something missing from Fors Clavigera that I’d like to add to my reflections here. Ruskin was raised as an evangelical Christian, and his early writings on art and architecture are saturated in biblical language and characterized by deep theological reflection. What intrigues me is the question of what Fors would have looked like if Ruskin’s reflections on social, political, economic, and aesthetic issues had been informed by religious commitment and theological reflection. In the meantime, check out the posts about Ruskin on my personal blog — there are many wonderful images there.