There’s a surprising side effect to the process, though, that you should consider: Adding dimensions to comic book art can highlight strong storytelling and art techniques. Hughes’ thin line background, even with all its detail work, is the polar opposite of his figure work in the foreground, with its carefully considered shadow work and solid black areas. Wolverine is the largest on the page and Zone makes him pop off the page further than I thought you could push a full-color comic without running into issues.