Therefore, when I created– or when I didn’t create Private Benjamin– but when I came on and became producer, or when I did movies that I created called Protocol, or even movies called Swing Shift, these movies all had social relevance. So because the industry has shifted to tentpole movies, and because they are expensive, but they have a great return, that the smaller movies– the movies that the Driving Miss Daisy’s, the smaller movies that were really wonderful and artfully and great– aren’t being made as much. GOLDIE HAWN: Oh, well, first of all, I didn’t work all the time because I mean even though I was producing, I didn’t go to the studio.