Since the late 1960s, American performance artist Eleanor Antin has challenged conventional ideas of artistic identity by inventing and embodying a range of alter egos that spanned genders, social roles, geographies and historical periods. She refers to these personas as her ‘selves’, presenting them across diverse media, including literature, film, sculpture and more. Through these transformations, Antin explores identity as inherently fluid and performative while exposing the instability of the social structures built upon it. This perspective was instrumental in shaping the politically engaged art of the 1980s and 1990s and continues to resonate in contemporary practices. Mudam Luxembourg – Musée d’Art Moderne Grand-Duc Jean presents the first large-scale European