Instead it looks and feels like a real movie made for the projector, and has a score to match its ambition, with Michael Giacchino in fine form channeling ’80s John Williams and knowing his deeper Lost and Fringe bona fides are absolutely the correct match for this sci-fi story and its visuals. The End of Oak Street’s design allows for a few quality needle drops, the odd film poster on a bedroom wall, and a dog named Starbuck, but it isn’t interested in celebrating its period setting the way that Stranger Things does. For those who want to check out a genuinely great rollercoaster of a dinosaur movie this summer, however, The End of Oak Street delivers the best one in decades.