As such, an adventure or horror story involving dinosaurs feels that much more plausible, all while the mysteries surrounding how they actually looked, behaved, and so on makes them even more beguiling than, say, a tiger or a bear. Instead of a species driven out of existence by natural selection, their extinction feels almost cosmically mandated. "The End of Oak Street," the latest film from writer/director David Robert Mitchell, is a movie that, beneath its surface, is largely about this theme of existential finality. "The End of Oak Street" expertly recalls this style of genre filmmaking, right down to its score, choice of lenses, and more. Instead, Mitchell has made a highly personal movie that resonates with its depth as much as it delights with its action and visual effects.