Ardeen implanted his embryonic clone into an artificial womb, magnified, and displayed on a 7’ x 7’ square LED television. When the exhibit was first unveiled, the arm connected to Ardeen’s bust moved first. Given the direction of Ardeen's later work, some art critics speculate that he anticipated such deformation and that it was intentional. The left leg was cryogenically frozen, using early 21st-century techniques as a nod to former and failed attempts at eternal life. Cite: Nitkey S. “The Eternal Life and Art of Maxwell Ardeen.” Asimov Press (2025).