Between her experimental shorts and her two narrative features so far, Ann Oren has firmly established herself as a modern master of erotic cinema. By the end of act one, Eva had grown a horse’s tail; a lustrous appendage that she began to wear with pride. One suspects that’s going to be the case with returning to “Objet a,” as well, which carries over most of the same features and qualities. ‘Objet a’Outside of their surgery, the couple have an emotional and sexual relationship that is expressed through objects. Refusing to take proper time off, Ingeborg gets a custom leg prosthesis at a place called “Objet a.”