Self-described as a cross between Jonathan Larson’s tick, tick… Boom! and the self-referential angst of Bo Burnham, The Real Kyle McCarron sets its sights on lofty comparisons. All are naturally note-perfect – especially during a heartfelt a cappella number towards the show’s climax. The key strength of the musical is that the score is stacked with absolute bangers. Precisely the kind of generous, risk-taking new musical theatre the Fringe exists to nurture.