Everything was carefully timed and choreographed to “A Long December,” including Little Death stabbing people every time the lyrics landed on the word “Hollywood.” “Teenage Sex and Death at Camp Miasma,” as a film, interrogates the legacy of the “Camp Miasma” slasher universe and how it resonates for queer viewers, mainly Kris (Einbinder). The Little Death sequence is particularly notable, then, because it suddenly forces the viewer to grapple with the perspective of the franchise villain. Yue explains: “That is a concrete example where we watch Little Death, we kind of go into his helmet, now we’re becoming the POV of Little Death and then we come out of the body and watch. “Teenage Sex and Death at Camp Miasma” is currently playing in select theaters from Mubi.