Cheered to the rafters at its 1842 premiere, Rossini’s Stabat Mater has held its place in the repertoire ever since. Her briskly animated account with the BBC Symphony Orchestra embraced the work’s lyricism while mining the score for theatrical nuggets in a pacy reading that favoured lithe-limbed drama over heavyweight grandeur. The BBC Symphony Chorus, bolstered by London’s semi-professional Epiphoni Consort, went with her cheek by jowl in a robust and disciplined performance, their crisp consonants landing with pinpoint precision. Respighi’s Church Windows, here making its Proms premiere, is a pale shadow of his Roman Trilogy heard earlier in the season. It has its colourful moments but the melodies, drawn mostly from Gregorian chant, fail to make much of a mark.