“Going back there is a psychological, conscious choice to enter the space and interact with the energy.” Welcome to the 349th installment of A View From the Easel, a series in which artists reflect on their workspace. This week, Lilit Martirosyan summons the memories embedded in wool and soil while the sounds of opera arias fill her studio. Check out our submission guidelines and share a bit about your studio with us through this form! As a result, I had ripped soil “sculptures” that spoke about land commodification and post-war traumas expressing human condition through land condition.