The film follows Souleymane Everston Adowo Freudenreich, an Afro-German trans man who travels to Dakar, Senegal, to repair his father’s kora. It is a quiet reflection on what can be repaired, and what remains uncertain,” says Beninese director Aymar Esse. Can you talk about the ballroom scene as a safe space for the LGBTQ community? What is a safe space, really? And yet, maybe a safe space is not only something we are given.