Indeed, their independence of form tends to make his constructive stroke a central part of the dissolution of form seen in his later work. This dense canopy of trees seen at a Farm in Normandy (1882) is again assembled using the constructive stroke, with greater variation in tone, but keeping similar hue. Its trees are constructed typically for his mature style, with relatively featureless and texture-free trunks, and solid canopies built using constructive strokes. His constructive stroke became more prominent and came to dominate the structure of his oil paintings after 1890. Paul Cézanne was not the only artist to have adopted the constructive stroke at this time.