It’s thriving in England-- as “Romeo and Mohammed,” a modern, queer reimagining of Shakespeare’s stuffy olde “Romeo and Juliet”— doth surely prove. AdvertisementThe play, now titled “Romeo and Hamed” because the play’s creators apparently want to live to see the second night’s performance, is set in London and follows two men, as you’ve probably already surmised. This is a story of pain and pleasure, desire and violence, love as something that leaves a mark. Turning transitioning Juliet, a ravishing young female, into a gay Muslim man is so dope, so cutting edge, right? What if Othello, Desdemona, and Iago weren’t at odds, but were instead a welcoming, seen, and thriving throuple?