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How Late Night Is Legitimizing Microseries With Satire | Analysis
['Tess Patton', 'Tess Patton Is A Tv Business Reporter For Thewrap', 'Covering The Creator Economy', 'Microseries', 'Podcasting', 'Ai. She Joined Thewrap As The Company S First Reporting Fellow In She Has Covered A Range Of Beats Los Angeles Wildfire Recovery To Carpet Coverage At The Emmys', 'The Academy Awards. Tess Has Received Awards For', '.Wp-Block-Post-Author Box-Sizing Border-Box Display Flex Flex-Wrap Wrap .Wp-Block-Post-Author__Byline Font-Size Margin-Bottom Margin-Top Width', '.Wp-Block-Post-Author__Avatar Margin-Right .Wp-Block-Post-Author__Bio Font-Size Margin-Bottom .Wp-Block-Post-Author__Content Flex-Basis Flex-Grow .Wp-Block-Post-Author__Name Margin', '.Wp-Block-The-Wrap-Author-Bios__Entry Align-Items Center Display Flex Flex-Wrap Wrap Gap .Wp-Block-The-Wrap-Author-Bios__Entry .Wp-Block-The-Wrap-Author-Bios__Entry Margin-Top .Wp-Block-The-Wrap-Author-Bios__Entry-Excerpt Flex-Basis']
TheWrap
Late night television has long been on the precipice of new media trends, uploading full clips on YouTube for years and creating sketches and content for digital audiences specifically to boost engagement.
And the format, in turn, offers a new avenue for these flagship late night programs to reach younger audiences as downward linear trends continue to pose a threat to late night as a whole.
But the late night spoof is something different.
The political satire series will evaluate the political landscape through the microseries format for the first time.
As late night introduces microseries to broader audiences, viewers are discovering a format that has largely existed within dedicated apps and siloed social media algorithms.