Set in a fictional New York prior to the legalization of medical aid in dying, assisted death is framed positively, with Martha’s decision to die an act of dignity and self-determination. It even surfaced in legislative debates in Uruguay during parliamentary discussions that ultimately legalized assisted dying in that country in October 2025. Reid Davenport’s recent documentary “Life After” (2025) tells a story of how ableist prejudices inform how society debates and regulates assisted dying. She is the principal investigator of Assisted Lab, a European Research Council research project on the aesthetics, laws, and ethics of assisted dying. Their book “Assisted Dying: Law, Ethics, and Aesthetics” will be published by Cambridge University Press later this year.