Wilde came of age in more libertine times when pundits fretted that hook-up culture was encouraging youngsters to have too much sex. Midway through the movie, Elliot shows off what he’s learned to a European femme fatale (Roxane Mesquida) who recoils. Like his late father, Philip Seymour Hoffman, he’s willing to throw his whole self into playing a simp. I’m excited to see where the younger Hoffman goes next. Beyond that title, the boldest thing about the film is that Araki doesn’t condemn Erika or Elliot for their fling.