It’s called Music, Fashion, Film, and it was conceived in what she’s described as a burst of inspiration during last fall’s Paris Fashion Week. Lou Reed modeled the sort of petulant sing-talking that characterizes her verses. He shared the ambition Charli sings about on the sterling Music, Fashion, Film B-side “Playboy Bunny”: to make a song as memorable as the canonical smut mag’s logo. But the artists she’s channeling are icons of a 20th-century paradigm now destroyed by overproduction. The post Is She the New Britney Spears—Or the New Lou Reed?