And while director Frank Palangi’s four-part At Death’s Door doesn’t exactly reinvent the anthology wheel, it does invite us in for a closer look at the horrors of suffocating vulnerability. As memories and reality begin to blur, she’s forced to confront the truth she hoped to forget. Unfortunately, once the gab session starts rolling, we gradually learn through flashbacks that he has a murderous family history plus some brutal hobbies. “As memories and reality begin to blur, she’s forced to confront the truth she hoped to forget.” Fans of indie supernatural anthologies should give At Death’s Door a spin.