I’ve spent the past few post-”Severance” days really dissecting my approach, thinking critically about how I try to see a twist coming. If someone is always wearing a mask, then there’s going to be a twist. If someone is always cloaked in shadow, then there’s going to be a twist. If you only ever see someone from behind, then there’s going to be a twist. The plot itself is generally easier to tease out, though of course, you likely won’t know all of the finer details.