In the first moments of Fleabag – Phoebe Waller-Bridge's gamechanging TV comedy drama – the protagonist opened the janky door to her north London flat and, breaking the fourth wall, also invited us into her head. Fleabag, celebrating its 10th anniversary this month, built on progress that had been made by Lena Dunham's Girls, which debuted in 2012. Fleabag had no trouble delivering the funny, relatable low-hanging fruit that is a bad haircut (shout out to looking 'like a pencil'). Women, in particular, responded to a show that fluently explored the multifaceted realities of being female in a world still mostly set up for men. Without Fleabag's success, we might never have had the chance to see the brilliant I Hate Suzie, or Such Brave Girls.