BLKNWS: Terms & Conditions (Kahlil Joseph, 2025)I can’t begin to imagine what it would have been like to be on the ground at Sundance in the year 2025. A refuge and charging station for resistance, Kahlil Joseph’s BLKNWS: Terms & Conditions was by far the most exciting selection that I saw, in terms of both form and content. This was the festival’s second to last edition under contract with Park City, Utah. There was little public conversation about where its next home might be, although Boulder, Colorado; Cincinnati, Ohio; and a hybrid of Salt Lake City and Park City have all been shortlisted by the Sundance Institute. The snow in Park City is one thing; the chilling effect of public institutions run by newly emboldened conservatives is quite another.