A new film by David Cronenberg is always a major event for all of us at Film Comment, especially after his 2022 opus Crimes of the Future was voted the Best Film of the Year by our contributors. So with Cronenberg’s latest, The Shrouds, opening in cinemas this weekend, we invited this singular auteur to talk about his strange and thrilling new movie. Like much of Cronenberg’s work, The Shrouds is obsessed with sex and death, body and technology. In the process, The Shrouds emerges as an extremely intelligent and moving film about our desperation for explanations in the face of the unknowable. For today’s episode, Film Comment Editors Devika Girish and Clinton Krute chat with Cronenberg about making art to process loss, the eroticism of conspiracy theories, and why The Shrouds is very much a Toronto film.