The “National Design Studio” is named with this administration’s mastery of doublespeak. By accepting the position, Gebbia’s complicity is a given — whatever damage this Design Studio manages to unleash. In Andres Veiel’s documentary Riefenstahl, the director and the audience have the answer to that question from the start. Veiel, instead, ingeniously repurposes Riefenstahl’s own work, and her own voice, to present a litany of damning evidence. For Veiel, she is first and foremost a Nazi propagandist, spiritually and psychically paired with her racist cohorts for eternity.