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Andrea Peña & Artists: Bogotá review – writhing, sweaty dancefloor revolt is exhausting
['Lyndsey Winship']
The Guardian
Dancers strewn across the stage, moving in sporadic tugs and jerks, or writhing flesh-to-flesh or just flat out on the floor, dressed only in nude-coloured pants and knee pads.
Peña, from Colombia and now based in Montreal, has a background in design but is now an award-winning choreographer.
In the opening voiceover, Peña says something about building bonds and imagining new futures, but it’s difficult to bond when the mood is alienation.
View image in fullscreen Flat out … Andrea Peña & Artists: Bogotá.
There’s one point where they gather as a pack at the front of the stage, moving as one like a nest of vipers.