The FADER: The press materials for this record said that for the composition, you moved away from a digital workflow to keyboards in a studio. You don’t really need anything. I almost find them limiting in a way, because it's so much that I don't even know what to do with. I would record the signal on Logic, but I wouldn't even think of the computer. It felt like going back to 12 years ago, when I would spend nights not looking at a clock and just trying sounds.