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One Paul Thomas Anderson Film After Another
['The New Yorker', 'Vinson Cunningham', 'Naomi Fry', 'Alexandra Schwartz']
The New Yorker
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In the course of his three-decade career, the director Paul Thomas Anderson has dramatized the nineteen-seventies porn industry (“Boogie Nights”), the Californian oil boom (“There Will Be Blood”), and a mid-century London fashion house (“Phantom Thread”).
Now he’s trained his gaze on present-day America.
“I think our present reality has far outstripped most depictions of it,” Schwartz says.
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