PARIS (AP) — No other show so far at Paris Fashion Week has drawn such a feverish crush of celebrities, designers and press. Anderson has never been one to detonate house codes; at Loewe, and again in his Dior men’s debut in June, his method has been to bend and reframe. The result echoed his menswear: not a “New Look” with a capital N — as one critic put it — but a constellation of eclectic ideas. Instead, Anderson’s Dior unfolded like his opening montage: fragmentary and deliberately unresolved. And the absence of one commanding silhouette means Anderson’s Dior remains, for now, a work in progress.