Thomas S. Kaplan: If you consider people in their 40s young, then yes, there’ve been more signs of buyers coming into the market. I haven’t lived with a single [Leiden Collection] painting because I believe they should all be in the public domain, and my wife Daphne feels the same. We’re also the largest collector of the Rembrandt school in general, from his first pupil, Gerrit Dou, to his last, Arent de Gelder. I happen to like a lot of contemporary art and I’m comfortable living with it. But the art market is extremely fickle: almost all of the contemporary art made 400 years ago in The Netherlands ended up as kindling.