He was introduced to H-T-P himself in graduate school, “where I’d administer the test during an assessment course,” he told Hyperallergic. Hunter Ney’s collaged house, tree, and person are small, layered universes, the tree shadowy, green, and accompanied by Tinkerbell; the person not one individual but two, nearly obscured by a crimson spiral. “H-T-P lends itself well to a group exhibition,” Soprano explained, given the test’s inherent flexibility. The exhibition has an easy tidiness; each work is displayed in uniform frames, the prompt responses arranged vertically. Ten percent of the exhibition’s proceeds will be donated to the American Art Therapy Association.