The remaining stereo channels feature a similar 3-band EQ, but with a fixed midrange set at 2.5 kHz. The master section is another highlight, featuring a digital stereo bus compressor and 4-band parametric EQ. After getting a mix I was happy with, I added the final touches via the Model 2400's master bus processor section. Though not a replacement for a dedicated mix bus compressor, the 2400 worked well for me – if I wanted more aggressive coloration the I could take advantage of its stereo mix bus inserts. Overall, I found the TASCAM Model 2400's mix experience to be excellent, providing all the tools necessary to fine-tune sources, shape tones, control dynamics, and do it all in a way that felt more intuitive than with a DAW and plug-ins alone.