Very quickly, a solution was found: The stage play became a radio play, complete with music, audio effects and a robust website to provide the audience with the feel of the play’s period. “I wanted to honor the work that the translators had done.”Although the director, actors, sound technicians, editors and costume designers were all restricted to their homes, rehearsals continued through videoconferencing applications and recording software. “There were certain tactical things we couldn’t control,” said Parry, who is the executive and artistic director at Shakespeare Dallas. “It’s been a great opportunity to teach different skills about vocal production for microphone versus stage,” Parry said. “And the mix of professional actors and student actors is an interesting aspect of the project.