The Film Stage: The editing is obviously so pronounced in The Love That Remains and so central to its flow. Hlynur Pálmason: I think it’s like with everything: it just comes with spending time together and spending time working. And now with The Love That Remains, which I think is your most surprising film so far, and your most original, and I think my favorite. During COVID, we shot a short film called Nest, and while doing that, I started to think about this film. …I mean, I find Godland quite funny.