Jazz Monroe at Pitchfork:The story of “Human Behaviour” as we know it begins in 1993, when Björk swanned into London in a fluffy white mohair jacket. She was 27 and ready for adventure, so utterly international she could barely eat anything but curries, still high on her late-’80s supply of rave awakenings at all-nighters by DJs with names like Mixmaster Morris. Björk saw through the idiot elements of British culture but decided to love it anyway, most of all its charismatic mavericks and prankster producers and the anything-goes musicians she took on tour under the banner of Immigrants United. “Human Behaviour” was Björk’s formal debut, the salvo of an album so buccaneering and multivalent it could have been called Polygenic. Help keep us going by donating now.