There’s a neat trick of rhythm at the beginning of “Stoneyman,” the second cut on Craven Faults’ new album, Sidings. This is standard operating procedure for Craven Faults. The few photos of Craven Faults’ setup show stacks of 5U modular synth cases: giant, wall-sized arrays of circuits chained together with quarter-inch patch cables. Peers like Jo Johnson or Jas Shaw mine similar territory, but where their tunes have a more contemporary sheen, a Craven Faults recording is haunted and otherworldly. Every Craven Faults record is immersive and overwhelming, and Sidings is no different.