In allowing their subject to tell her own story, Lovelace and Hall make it clear that Love refuses to see herself as a victim. She owns the charges of being abrasive, rude, scrappy, ferociously ambitious and a complicated figure in music history. Even when defending her talent, so often unfairly written off, Love seems unconcerned about being liked. But the trajectory is raw and real, at times making you wonder how Love even made it into her 20s. That predominantly becomes the new album, which is still in the works, with no news of completion or a release date.