Thus starts Irène Drésel’s score. At work, Julie is ensconced among women: a dozen maids all under her supervision, plus a middle-management superior to Julie. This is not to accuse Drésel’s music of conservative beautification and tizzying cosmetics. Yet here we are, 30 years post-freetekno, with Irène Drésel’s score. Working full-time in a luxury hotel.